10 Classic Patches to Try in Synth1Synth1 is a compact, powerful, and free software synthesizer modeled after classic hardware. Its simple signal flow, flexible modulation options, and broad preset ecosystem make it a favorite for bedroom producers and sound designers. Below are ten classic patch types to explore in Synth1, with step-by-step tips for recreating each patch and ideas for musical use.
1 — Classic Analog Lead
Why try it: Warm, cutting, and expressive — perfect for solos and melodic hooks.
How to build it:
- Oscillators: Use Osc1 (saw) at full level, Osc2 (square) slightly detuned.
- Filter: Low-pass 24 dB with cutoff around 2–3 kHz, resonance low.
- Amplifier envelope (ADSR): Attack 5–20 ms, Decay 200–400 ms, Sustain 60–80%, Release 150–300 ms.
- Modulation: Add slight LFO to pitch for vibrato; apply portamento for glide on monophonic patches. Use: Leadlines, motifs, synth-pop hooks.
2 — Fat Analog Pad
Why try it: Lush, wide, and evolving — great for chords and ambient textures.
How to build it:
- Oscillators: Stack two saws slightly detuned, add a third oscillator an octave up for brightness.
- Filter: Low-pass with moderate cutoff; increase resonance sparingly.
- Amplifier envelope: Slow attack (200–400 ms), long release (600–1,200 ms).
- Modulation: Use LFO to slowly modulate filter cutoff and pan for movement; add unison/chorus effects. Use: Background pads, movie scores, chillout.
3 — Plucky Electric Piano
Why try it: Percussive and bright — works for rhythmic comping and arpeggios.
How to build it:
- Oscillators: Use short-release triangle or pulse wave.
- Filter: High-pass to remove muddiness, then low-pass with fast envelope modulation.
- Amp envelope: Very short attack (0–10 ms), short decay (100–300 ms), low sustain, medium release.
- Modulation: Apply filter envelope with high amount for that plucky snap. Use: Rhythmic patterns, house stabs, lo-fi textures.
4 — Classic FM-ish Bell
Why try it: Metallic, chiming tones — useful as lead accents or percussive hits.
How to build it:
- Oscillators: Set Osc2 to higher pitch (e.g., +12 or +24 semitones) and mix in lightly.
- Filter: Bipolar or band-pass to emphasize harmonics.
- Amp envelope: Quick attack, medium decay, low sustain.
- Modulation: Use LFO to add slight inharmonic pitch modulation; detune oscillators for richness. Use: Bells, mallets, crystalline arps.
5 — Sub Bass
Why try it: Deep, solid foundation — essential for electronic and hip-hop genres.
How to build it:
- Oscillators: Use a pure sine or low-passed saw with Osc2 slightly detuned but low level.
- Filter: Low-pass near 200–400 Hz to keep sub content clean.
- Amp envelope: Fast attack, long sustain.
- Modulation: Minimal; use octave layer and sidechain compression in the mix. Use: Basslines, low-end support.
6 — Acid Bass / TB-303 Style
Why try it: Squelchy and resonant — classic for acid house and techno.
How to build it:
- Oscillators: Square or saw with accented envelope.
- Filter: Low-pass with high resonance; automate cutoff for that squelchy motion.
- Amp envelope: Short to medium decay, variable accent.
- Modulation: LFO or envelope to modulate cutoff heavily; add glide/portamento. Use: Acid lines, techno grooves.
7 — Brass Stack
Why try it: Bold and brassy — cuts through arrangements for stabs and hooks.
How to build it:
- Oscillators: Mix detuned saws and a square for bite.
- Filter: Low-pass with mild resonance.
- Amp envelope: Fast attack, medium decay, moderate sustain.
- Modulation: Add slow vibrato and a touch of chorus. Use: Funk stabs, synth-pop hooks.
8 — Rhythmic Arpeggio / Sequence
Why try it: Energetic and pattern-driven — great for motifs and EDM textures.
How to build it:
- Oscillators: Bright saw/pulse with medium detune.
- Filter: Band-pass or low-pass with moderate cutoff.
- Amp envelope: Short attack, medium decay.
- Modulation: Use Synth1’s arpeggiator or host sequencer; modulate filter with an LFO synced to tempo. Use: Leads for trance/house, evolving background patterns.
9 — Evolving Textures (Ambient)
Why try it: Slow-moving and cinematic — excellent for soundscapes.
How to build it:
- Oscillators: Layer detuned saws and noise, add subtle FM if desired.
- Filter: Low-pass with slow-moving LFO modulation and high release times.
- Amp envelope: Slow attack and very long release.
- Modulation: Use multiple low-rate LFOs to modulate pitch, pan, and filter; add delay and reverb. Use: Film underscoring, pads, atmospherics.
10 — Percussive Noise Hit / FX
Why try it: Punchy and abstract — useful for transitions and drum layering.
How to build it:
- Oscillators: Use noise generator with a short pitch burst from Osc1.
- Filter: Band-pass or high-pass for shaping.
- Amp envelope: Instant attack, very short decay.
- Modulation: Modulate pitch or filter with a fast envelope; add distortion for grit. Use: SFX, drum layering, impacts.
Tips for dialing in presets
- Start with one oscillator and add elements until the patch feels balanced.
- Use the filter envelope and LFOs to give static sounds movement.
- Small amounts of detune, chorus, and delay often make patches feel larger than they are.
- Save variations as new presets so you can iterate quickly.
Further resources
- Browse preset banks online — many creators have uploaded banks specifically for Synth1.
- Load classic patches as references and reverse-engineer their settings to learn techniques faster.